For our summer concert, we delved into some of Beethoven’s lesser known choral works – his Mass in C, his Choral Fantasia which featured a piano solo for our accompanist, Anita D'Attellis, and a Hallelujah chorus – not from Handel’s Messiah, but from Beethoven’s oratorio ‘Christ on the Mount of Olives’.
You can read the review from the Henley Standard here